COLLECTED 1984-1989 (EXTENDED PLAY)

TRACKLISTING


A1. White House White - Disdain
A2. Wh ite House White - Oddball Harry
A3. White House White - The House Of My Maste r Holds Many Rooms
B1. White House White - Wolves & Owls
B2. White House W hite - St Moritz, Mallorca and Cannes
B3. White House White - Put My Fingers< br>




INFO


Musique Pour La Danse is thrilled to present its latest ?Collected? anthology, the label?s most ambitious release since it released an extensive anthology of music produced by New Beat pioneer R o Maron back in 2015.

This time label managers Olivier Ducret (Muriau x, CH) and Ed Isar (Paris, FR) have focused on another essential Belgian produce r: Dirk Desaever, the man behind White House White, A Thunder Orchestra and Dant on?s Voice. Rare and sought after, his records fetch high prices among collector s. Some of his productions under these aliases have appeared in crucial compilations such The Sound of Belgium series as well as Walhalla?s Underground Wave, along with edits by Mick Wills for Biorythm and Marcel Dettman for Dekmant el.

What was initially supposed to be a simple reissue affair soon tu rned into a much wider project, as Desaever shared heaps of amazing unreleased m aterial with the label. It seemed much more interesting to shed light on the dar k side of this producer?s body of work, rather than to focus on content already reissued elsewhere.

After listening to noisy tape rips over and over, Ducret & Isar opted to break this release down in three formats (EP, LP distrib uted via NEWS and a cassette sold by the label direct), each one with different content. They entrusted sound engineer Lorenzo Targhetta with remastering the mu sic and it?s impressive how much he managed to polish the sound without altering the unmistakable grain of music committed to cassette tape.

MP D014 Dirk Desaver - EP

Side A is a reissue of the highly sought after Disdain EP from 1988 by White House White. While it?s the most straightforward New Beat / EBM section of this Collected, Desaever?s sense of dramaturgy, his so und design, rhythmic patterns and use of film samples create a dark and mysterio us ambiance at odds with the smiley atmosphere prevalent in most contemporary Ne w Beat productions with infectious grooves focused on setting bodies in motion.< br />
On Side B, three previously unreleased tracks in a similar spirit to WHW?s sound with a dark and sleazy atmosphere, elegant arrangements that sound o f an almost baroque persuasion, mysterious film samples and dance-inducing rhyth mic sections that range from 104 to 108 BPM.